Toby Altman: On Trying To Recite Shakespeare’s Sonnet 73 To My Unborn Daughter
Fani Avramopoulou: Did Anything Break for You?
Leon Barros: On José García Vílla
Raymond de Borja: Lyric Gesture
Courtney Bush: The Language of Fish: On Morgan Võ’s The Selkie
David Buuck: excerpts from “But Also This”

Marty Cain: The Dogs Woke Me Up
Kate Colby: On Marlen Haufhofer’s The Wall
Norma Cole: SCOUT—Time’s Road
George Clutterbuck: Sounds of Sense: On Anna Mendelssohn’s Archive and a Reading of “A Crash”
Darcie Dennigan
        on Chantal Akerman’s My Mother Laughs
        on Claire-Louise Bennett’s Checkout 19 

        on Bohumil Hrabal’s The Gentle Barbarian
        on Terry Andrews’ The Story of Harold
        on Copi’s The Queen’s Ball
Dot Devota: excerpt from >She
Michael Dowdy: On Landlords and Other Dispraises
Jacqueline Kari: How—dashing—

Karla Kelsey
        on Freidericke Mayrocker
        on Joyce Mansour
Timothy Ashley Leo: On Dong Li and C.D. Wright
Ian U. Lockaby: I Have Been Reading The Baudelaire Fractal...
Tori McCandless: A Dyke in Alameda County—or—The Geographies of Kay Gabriel’s A Queen in Bucks County
Rose McLarney: Another Inscrutable House

Hilda Morley: A Language of New York
Jed Munson: Trail Eyes
Isaac Pickell: On Christina Sharpe’s Ordinary Notes
Jadine Pluecker: Two Letters to Forrest Bess
Elizabeth Robinson: The Universe in Whoosh: Reflecting on Keith Waldrop and his work
Aidan Ryan: Loss is the Format: Remembering Buffalo’s Old Pink

C.T. Salazar: Flesh with Thicket Wonder

Brandon Shimoda: Vanishing Clarity
Dale Martin Smith: from “Carmen Perpetuum”
Alex Tan: Notes on the Third Person
Jennifer Valdies: Birds, Stars, and Insect Wings: Following RoseSunWater by Angel Dominguez

Tracy Zeman: Geology Mythology: Theano Point and the Poetics of Time and Matter