Editor’s Note

Four Poems
dg nanouk okpik

Elegy: Crossroads
Stefania Gomez

Bildungsroman
Lydia Brown

Hold On To Something: New Sincerity Poetics
and Julie Doxsee’s
The Fastening
Cary Stough

Opennes of Comets
Riley Ratcliff

On Ocean Vuong's
“Threshold”
Christos Kalli

Two Alices
Iva Moore

Remediation 
Soramimi Hanarejima

On Renee Gladman’s One Long Black Sentence
Dandi Meng

Three Poems
Sara Wainscott

Indecipherable Hieroglyph: On H.D.
Catherine Theis

Trail Eyes
Jed Munson

Prayer with Projector
Melissa Ginsburgsburg

On Jorie Graham’s “Vertigo”
Issam Zineh

Two Poems
Sylvia Chan 

On Checkout 19 by Claire Louise Bennett
Darcie Dennigan

On E.E. Cummings’ 
The Enormous Room
V. Joshua Adams

from The Year of
Forest Deterioration
Evan Gray

On The One On Earth: Selected Works by Mark Baumer
Claire Crews

On Cameron Awkward-Rich’s “Essay on the Theory of Motion”
S. Brook Corfman

Salvadoran Poets
Respond to
Carolyn Forché’s
“The Colonel”
Maryam Ivette Parhizkar, William Archila, Alexandra Lytton Regalado, Claudia Castro Luna, and Yvette Siegert 

from The Moan Wilds
Caroline Rayner

Three Poems
Brendan Sherry

On Roy Fisher’s
The Citizen and the making of City
Jonathan Gharraie

Town and Country
Will Stanier

Three Poems
Angelo Mao
 
On Dorothy Chan’s BABE
Caitlyn Alario

Two Poems
Cassidy McFadzean

Aracelis Girmay’s Ecstatic Teaching
Alex Streim

Two Poems
Brandon North

from The only name we can call it now is not its only name
Valerie Hsiung

On C.D. Wright’s
“Our Dust”
Brooke Harries

On Joey Yearous-Algozin’s A Feeling Called Heaven
Adie B. Steckel

from Hunting is not left at the Body
Jan Verberkmoes

4 from The Island
Abby Ryder-Huth

from stillcoast
Nicholas Molbert

On Renee Gladman’s Plans for Sentences
Alexis Almeida

Two Poems
Kodi Saylor

Five Early Poems
Alice Notley