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The Lace

   




4:47 seemed morning enough, I was
fingering my asshole, which is a thing
I do now sitting on the toilet peeing,
it divides the peeing up, which I’ve thought
must be a prostate thing, postponement in
the pleasure, a mild pleasure, a lengthening
postponement, secret middle age luxury,
faucet rinsing during the cover of flush,
which I can reach still sitting peeing maybe
more, if I ate the gummy also (how small
is my life) in secret the night before.
May I stay here (shall I rise) a moment
modulating: it isn’t a canal thing,
it isn’t deep. I’m in the leather of the mitt,
an ancient cereal, a millet spelt kamut
fig, terrain not terroir, the pet
requesting more, what’s the matter with more,
a funny negotiation when it’s you.
No, the pudendal nerve has a lot to do.
I take my phone and cast its face down, that way
lightless, and quietly my plastic glasses,
I select the sounds I make, aware of where
the house returns its own, I brew but I
won’t iterate the steps. The whole area
is innervated by the lace. It settles.
I wash the while what dishes there are.


 


For his three books of poetry and prose—Not Even Then; A Several World; and Proxies: Essays Near KnowingBrian Blanchfield has received a Whiting Award in Nonfiction, the Academy of American Poets’ James Laughlin Award, and a Howard Foundation Fellowship, among other recognitions. His recent work appears in Chicago Review, Oxford American, The Yale Review, Harper’s, New England Review, Pleiades, Barthes Studies, and Best American Essays. He lives in Missoula, where he teaches at the University of Montana.