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If we are living in a time living

   




If we are living in a time living

in which one could become


either a necromantic diviner

or an herbalist


of nope,

never gonna happen


a torment that could

be eternal


the artichoke, the sock, the lemon bar, the noodle

will all stay


many thanks

3D printer in the maker room


and to the employees

bent into silence


over important searches

that one was not to disturb


but likewise fall into

the treasure

hunt, the rest and concentration


precise as an acupuncturist’s needle

until the flesh goes


all human obliteration or aura

so incomplete


we hand ourselves over

in advance to the police


when you contacted me I was handcuffed

on the peak of such post-truth


slope-facts

right at the apex


of whatever survives, survives

especially those not taken in a war


who show up at the door looking like disappeared

lostfriends selling solar


panels of which our future graves

are pieces of great, ancient oxidized mirrors


from another century’s

caste-ridden castle

also designed to coax the sun


missing missing

scrim of mountain


I was picking through a bin

of rags


to make a broadcloth

to cover our sensitive skin


they are all such good people I think,

I think, I think love can do such things.





Gillian Conoley is a poet, editor, and translator. The author of ten collections of poetry, including Notes from the Passenger (Nightboat, 2023) and A Little More Red Sun on the Human: New and Selected Poems (Nightboat, 2019) Conoley received the Shelley Memorial Award from the Poetry Society of America, a National Endowment for the Arts Grant, and a Fund for Poetry Award. Conoley has taught at the University of Iowa Writers’ Workshop, the University of Denver, Vermont College, Tulane, and Sonoma State University. A long-time resident of the San Francisco Bay Area, she is editor of VOLT magazine. Her translations of three books by Henri Michaux, Thousand Times Broken, appearing in English for the first time, is with City Lights. Conoley has collaborated with installation artist Jenny Holzer, composer Jamie Leigh Sampson, and Butoh dancer Judith Kajuwara. https://www.gillianconoley.com