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Correspondence



   


“Your cum smells nice,” she told her paramour,
“like pear trees.”

Like pear trees?” he replied,
“We get it, you’re a poet.”

Was he amused or irked? She wasn’t really paying attention.
A sunny-day feeling spreading though her,

she was thinking the likeness
typically moved from the other direction,

sidewalks redolent from ornament.

Known to her in childhood as popcorn trees
for their exuberant white,

the callery did not occur to her
in her first encounters with cum.

Then, in April, walking slowly
with a newly bruised heart,

the familiar spring smell hit her afresh,
now richer in meaning,

the ambient scent in several friends’ bedrooms
suddenly more specific, with narrative implication.

In fact, she wasn’t fond of the callery smell,
so why had she used it as a compliment?

This particular cum smelled more like linden,
which was sweeter, a smell she did like,

for soft evenings in early June.

She’d supposed he would be familiar
with the pear trees’ scent, maybe even the analogy,

but that didn’t explain why it seemed to her nicer
to say something already known.






Allyson Paty is the author of Jalousie (Tupelo Press, 2025), winner of the 2023 Berkshire Prize, and several chapbooks, most recently Five O’Clock on the Shore (above/ground press, 2019). Her poems appear in publications including Denver Quarterly, FENCE, Poetry, The Recluse, and The Yale Review, and she’s written nonfiction for The Baffler. A 2017 NYSCA/NYFA Artist Fellow in Poetry and a participant in the Lower Manhattan Cultural Council’s 2017–2018 Workspace Program, Allyson Paty is co-founding editor of Singing Saw Press. She works and teaches at NYU Gallatin and with NYU’s Prison Education Program.