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En La Calle

    




in my life my 
favorite places were just
places we could go

entire childhood 
days spent at the 
movies w/ my mother

this genetic wandering
a gangrenous limb trying to
snuff the flame of a self
extinguishing city

let your body go
in the liquid dark
of the lit-up screen

let the soup steam curls
into wind-bitten hair

ordering diner decaf 
after needless diner
decaf until 2am

I stick my hand down
your pants at the Cineplex
Odeon the whole city inside

and always amongst 
strangers never not 
amongst strangers

at the turn of the twenty-first
century what was a city but
a collection of people
w/ nowhere to be
sometimes christened
in droplets of another’s

meal that coronal haze
we are born into bacteria/
carnality/crowding

there are so many 
ways I could tell 
it but in 
all ways it would 
simply describe a loss:

how a body pouring
soup into itself
cannot generate
the necessary
revenue

all the comfort
a little cash can
buy

how space trans
muted into money
becomes vaulted 

emptiness 
the cities 
we built w/ our work
alien cathedrals
so un-for us

now the town 
even the count-
ry spits us out






















Laura Jaramillo is a poet and critic. Born to Colombian parents in Queens, New York, she now lives in Durham, North Carolina. Her books include Material Girl (subpress, 2012) and Making Water (Futurepoem, 2022). She holds a PhD in critical theory from Duke University. She co-runs the North Carolina-based reading and performance series Paradiso.