all the trees will fall down [// Search the quilt,]
// Search the quilt, throw back the sheet,
all that remains of the alligator is
the shadow on the wall // Kaleidoscopic
moments crash swiftly against the hour // Blue clangs
down into red smashes open into purple
shatters across turquoise bursts // During the movie,
the cat tucks herself between us, a cat sandwich
// Dried leaves matted like extravagant drapery
where before the ferns uncoiled, garden pansies
in a little glazed pot, French meadow-rue
dried now, still waving, holly berries
tight and red, Japanese maple
// I seek a rhyme underneath the event,
tagging alongside // Now hardly a fern is visible under
draping leaves, except one or two
secret curling tendrils // And yet these words
emerged from inside a hazy green dream
with cream // Language slips out from my grasp,
erotic and strange, each word redoubles
// Urgent gold light drapes patterns over
ground fallen leaves, a turtle
plops into the pond // One child wants
to be called alligator, while the other whimpers,
Scared of alligator // The headline tells of
so-called “non-native” harts gunned down
from helicopters // By the taxpayers
// Does the electronic voice say, You got my word, or
You are my world, or You got my world?
// The cough underlined the thought,
acknowledged it // On her wrist jingles a
merry language bangle / along comes a
writ jangle jar / Bangle tangle
dangles / at an angle // In this version
we live in a little glowing
treehouse // Pull the sticks over the hole
in the floor before you totter teeter
into // A cellphone alert jolts me back
from // Attention to the day
// On a day when emails spatter
like raindrops // Cars drive by
and radios vibrate in our walls,
our bodies // It is common
for a mother to believe that she
made the baby // But of this notion
the baby is splendidly regardless,
indifferent // Embroiders an initial
inventing // The baby made
herself // Ambient sound
seeks in texture a text // I read the background
of the day with thumbs, firmly pulling the yarn
along // Radiant sun reflected back
from puddles // Nylon style
on // acid dye // Click, clack,
moo. Click, clack, moo. Clickety, clack,
moo // In rush hour traffic,
cars invent new lanes, streaming around
slower cars in new, uncharted configurations, between
lanes and around shoulders, while slower cars grind
forward even more slowly, compensating
with additional caution for the new avenues
opened by rapidly shifting, unpredictable aggression
// Against the first scant gold and orange and brown
husks, neighbors come running outside,
applying rakes like some ritual of
purgation // And so in each season do
varieties of our neuroses come to
light // The child sings on the monitor,
Mama is a writer, mama is a writer
// In the gum tree, a single branch of
brilliant red, made translucent
by sun, among the still-green leaves
all that remains of the alligator is
the shadow on the wall // Kaleidoscopic
moments crash swiftly against the hour // Blue clangs
down into red smashes open into purple
shatters across turquoise bursts // During the movie,
the cat tucks herself between us, a cat sandwich
// Dried leaves matted like extravagant drapery
where before the ferns uncoiled, garden pansies
in a little glazed pot, French meadow-rue
dried now, still waving, holly berries
tight and red, Japanese maple
// I seek a rhyme underneath the event,
tagging alongside // Now hardly a fern is visible under
draping leaves, except one or two
secret curling tendrils // And yet these words
emerged from inside a hazy green dream
with cream // Language slips out from my grasp,
erotic and strange, each word redoubles
// Urgent gold light drapes patterns over
ground fallen leaves, a turtle
plops into the pond // One child wants
to be called alligator, while the other whimpers,
Scared of alligator // The headline tells of
so-called “non-native” harts gunned down
from helicopters // By the taxpayers
// Does the electronic voice say, You got my word, or
You are my world, or You got my world?
// The cough underlined the thought,
acknowledged it // On her wrist jingles a
merry language bangle / along comes a
writ jangle jar / Bangle tangle
dangles / at an angle // In this version
we live in a little glowing
treehouse // Pull the sticks over the hole
in the floor before you totter teeter
into // A cellphone alert jolts me back
from // Attention to the day
// On a day when emails spatter
like raindrops // Cars drive by
and radios vibrate in our walls,
our bodies // It is common
for a mother to believe that she
made the baby // But of this notion
the baby is splendidly regardless,
indifferent // Embroiders an initial
inventing // The baby made
herself // Ambient sound
seeks in texture a text // I read the background
of the day with thumbs, firmly pulling the yarn
along // Radiant sun reflected back
from puddles // Nylon style
on // acid dye // Click, clack,
moo. Click, clack, moo. Clickety, clack,
moo // In rush hour traffic,
cars invent new lanes, streaming around
slower cars in new, uncharted configurations, between
lanes and around shoulders, while slower cars grind
forward even more slowly, compensating
with additional caution for the new avenues
opened by rapidly shifting, unpredictable aggression
// Against the first scant gold and orange and brown
husks, neighbors come running outside,
applying rakes like some ritual of
purgation // And so in each season do
varieties of our neuroses come to
light // The child sings on the monitor,
Mama is a writer, mama is a writer
// In the gum tree, a single branch of
brilliant red, made translucent
by sun, among the still-green leaves
Note
“Click, clack, moo…”: Doreen Cronin and Betsy Lewin, Click, Clack, Moo: Cows That Type (New York: Simon & Schuster Books for Young Readers, 2000).
all the trees will fall down [// The stain appeared]
tumescent summer sky [// A stranger enters the house]


